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By EVANS DONNELL
Tennessee Repertory Theatre's revival of Crimes of the Heart starts
the group's 19th season with strong acting and a vivid story. It should
be a crime to miss it.
Beth Henley's 1981 Pulitzer Prize-winning comedy is the story of three
Southern sisters working through the wreckage of their past to find a
brighter future. Henley's script is infused with a large dose of black
humor and true affection for its characters.
The story opens as the three Magrath sisters are reunited in the small
town of Hazlehurst, Miss., on the 40th birthday of eldest sister Lenny
(Nan Gurley).
It's not a terribly happy reunion, though, since she has summoned middle
sister Meg (Denice Hicks) from California and a disastrous attempt
at a singing career following the arrest of youngest sister Babe
(Amy Tribbey) for shooting her husband. And Lenny, who has sacrificed
her personal aspirations to care for the sisters' elderly grandfather,
is certainly not feeling like the life of the party anyway.
While Gary C. Hoff's set and other technical elements are terrific, this
is a character-driven production that places its premium on quality acting.
Director David Grapes has cast an ensemble that takes Henley's mixture
of humor and pathos and turns it into a vivid portrait of the characters'
lives.
As Lenny, Gurley adds another winning performance to her long list of
successful stage appearances. Her character's paradoxical mix of stability
and insecurity is on display here in believable and touching fashion.
Ultimately, Gurley does the one thing all actors should do she
makes us forget that we're watching a performance.
Hicks and Tribbey also provide engaging, fully-drawn characterizations.
The conflicts of each character are in sharp focus, and we take Meg and
Babe to our hearts as readily as we feel for Lenny.
There's no drop-off in quality when the production's supporting players
are on stage either. That's particularly true of Martha Wilkinson's performance
as the Magrath sisters' bossy cousin Chick Boyle. Her delivery, timing
and physicality combine to create a great deal of laughter, while her
dead-on characterization of a small-town busybody will be familiar to
anyone who's ever dealt with that singular species of provincial life.
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